Download "Whoopee John" Wilfahrt - St Paul Laendler album

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Review by Sherri Naslund

"St Paul Laendler" by "Whoopee John" Wilfahrt is a delightful album that showcases the traditional music of the Upper Midwest. The album features Wilfahrt's signature accordion playing, accompanied by a lively band that includes fiddles, guitars, and drums.

The album opens with the title track, a sprightly tune that sets the tone for the rest of the album. Other standout tracks include "Prairie Polka" and "Minnesota Waltz," both of which are sure to get listeners up and dancing.

Throughout the album, Wilfahrt's accordion playing is impeccable, and the band provides a tight, energetic backing. The arrangements are simple and straightforward, but the musicianship is top-notch.

Tracks

TrackDurationPreview
Laendler
St. Paul

Images

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Catalog Numbers

G22641

Labels

Regal Zonophone

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Formats

  • Shellac
  • 10"
  • 78 RPM

Companies

RoleCompany
Manufactured ByColumbia Graphophone (Aust.) Ltd.

Notes

A&B: Waltz

Barcodes

  • Matrix / Runout (Side A): C671-1
  • Matrix / Runout (Side B): C761A

About "Whoopee John" Wilfahrt

Concertina player, bandleader, pioneer of "Dutchman" or "New Ulm" style polka music. Born May 11, 1893, on a farm near New Ulm, Minnesota. Moved to St Paul, Minnesota in 1925. Died June 15, 1961, in St. Paul, Minnesota. In the mid-1920s, Wilfahrt began performing widely on the radio, and from 1927, he made records. His first releases were cut in September 1927 in Minneapolis for the label, followed by two June 1928 sessions for in Chicago. From 1928, his recordings also appeared on , , and , from 1930 on . In 1934, he was signed by as the label's second artist (Bing Crosby was first). In the late 1930s, began reissuing Wilfahrt's recordings as part of its "ethnic music" F-Series. A few reissues also appeared on (1941). Wilfahrt's bands combined his concertina with a brass section (trumpet, trombone, tuba), but also clarinet, tenor sax, banjo, and drums. In addition to the German-Bohemian polkas, waltzes, laendlers, schottisches and mazurkas of his upbringing, Wilfahrt also played Italian, Swedish, and even Irish music, and his style incorporated elements of contemporary African-American music, such as syncopation, switching between tight arrangements and improvised solos, and a romping brass bass. The exuberant "whoops" with which Wilfahrt punctuated his band's music inspired his nickname "Whoopee John." Dressed in traditional Bavarian folk costume (short leather pants and felt hat) that comically contrasted with his band mates' spiffy suits, Wilfahrt developed an entertaining stage routine that included not only the whoops, but comical eye rolling and dramatic stretching of his concertina bellows. Inducted posthumously to the International Polka Association Hall of Fame (1976) and the Minnesota Music Hall of Fame (1989).

Real Name

    • Hans Anthony Wilfahrt

Name Vars

  • \
  • Wilfahrt
  • John Wilfahrt
  • John Wilfahrt And His Concertina Orchestra
  • Hans Wilfahrt
  • John A. Wilfahrt
  • Whoopee John
  • Whoopee John Plus
thenaslundteam

Summary by Sherri Naslund

"St Paul Laendler" is a fantastic album that is sure to please fans of traditional polka and folk music. Wilfahrt's mastery of the accordion and the band's infectious energy make this a must-have for anyone who loves this style of music.