Download The Supremes - Meet The Supremes album

Artist: The Supremes
Album: Meet The Supremes

1964

Rating: 5.0

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Filename: the-supremes-meet-the-supremes.zip

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Review by Arkand Zeshaprajna

Meet The Supremes, the debut album by the American female singing group Supremes, was released in 1962. The album features a collection of twelve tracks that showcase the group's signature sound and style.

The album opens with the upbeat and catchy "Your Heart Belongs to Me," which sets the tone for the rest of the album. The Supremes' harmonies are on full display in tracks like "Who's Lovin' You" and "I Want a Guy," while tracks like "Buttered Popcorn" and "Let Me Go the Right Way" are more playful and lighthearted.

One of the standout tracks on the album is "A Breath Taking Guy," which features lead vocals by Mary Wilson and showcases her soulful voice. The album also includes a cover of the classic song "Time Changes Things," which the Supremes put their own spin on.

Tracks

Track	Duration	Preview
Pretty Baby
Who's Lovin' You	2:47	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/80/25/f1/8025f194-2b67-f93b-721a-789d30dfc452/mzaf_8664239264641553373.plus.aac.p.m4a
Time Changes Things	2:31	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/3f/da/a2/3fdaa223-f64f-304d-cf00-f9ceb95dd5b1/mzaf_8456403420229950538.plus.aac.p.m4a
Let Me Go the Right Way	2:31	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/44/ac/02/44ac0280-0cb6-3fd4-9de0-2d92df9baf14/mzaf_7449009617759504245.plus.aac.p.m4a
Time Changes Thing
You Bring Back Memories	2:36	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/92/83/a5/9283a513-69a5-0ed2-fe64-28fa58fe3d90/mzaf_3091624742792861769.plus.aac.p.m4a
Tears Of Sorrow
The Boy That Got Away
(The Man With The) Rock & Roll Banjo Band
Who's Lovin' You
I Want a Guy	2:52	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/cc/ee/0c/ccee0c40-a8f9-b35b-5a5e-1cd0c21b6839/mzaf_12317671937269334267.plus.aac.p.m4a
Standing At The Crossroads Of Love
Buttered Popcorn	2:34	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/b4/a4/45/b4a445d8-6373-ed15-5605-42a5115c4c38/mzaf_8345364012889693471.plus.aac.p.m4a
My Heart Can't Take It Anymore
Let Me Go The Right Way
Play a Sad Song	2:55	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/9a/86/e6/9a86e6e3-9994-4d87-5ea7-1100e9ce424a/mzaf_3237411878270087725.plus.aac.p.m4a
Play A Sad Song
Baby Don't Go
(He's) Seventeen
Your Heart Belongs to Me	2:38	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/19/53/d8/1953d8fb-cdba-6e73-59f8-c685859cccbe/mzaf_4277191472571440157.plus.aac.p.m4a
He's Seventeen	02:46
My Heart Can’t Take It No More
Your Heart Belongs To Me
I Want A Guy
Where Did Our Love Go
Baby Don't Go	2:11	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/fd/0b/ea/fd0beabf-b51d-f442-16e7-9709f428a23c/mzaf_2238336146503745134.plus.aac.p.m4a
(He's) Seventeen	2:42	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview125/v4/e8/28/c4/e828c413-503e-98b8-458c-9e1ccc184f34/mzaf_18444920606947272003.plus.aac.p.m4a
When The Lovelight Starts Shining Thru' His Eyes
Never Again	3:6	https://audio-ssl.itunes.apple.com/itunes-assets/AudioPreview115/v4/21/cb/4a/21cb4a67-3760-e5e2-6a46-b746ed4b46eb/mzaf_14882430341693149129.plus.aac.p.m4a

Video

Your Heart Belongs To Me - The Supremes

THE SUPREMES i'm standing at the crossroads of love

Images

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Catalog Numbers

Labels

Motown
Tamla Motown
Rumble Records
Stateside
Wax Love Records
WaxTime
Not Now Music
Motown, Tamla
DOL
Soul Jam Records
Hallmark Music & Entertainment
Vinyl Passion

Listen online

escuchar en línea
online anhören
kuunnella verkossa
ascolta in linea
lytte på nettet
online luisteren
ouvir online
écouter en ligne
lyssna på nätet

Formats

Vinyl
LP
Album
Mono
Transition Pressing
Reissue
Stereo
Misprint
11 Track
Stool Cover
Limited Edition
180 Gram
CD
180g Gatefold
Remastered
Repress
Reel-To-Reel
3 ¾ ips

Companies

Role	Company
Copyright (c)	Motown Record Corporation
Published By	Jobete
Manufactured By	Motown Record Corporation
Pressed By	RCA Records Pressing Plant, Indianapolis
Distributed By	Phonodisc Limited
Record Company	E.M.I. Records Limited
Made By	Garrod & Lofthouse
Printed By	Garrod & Lofthouse
Lacquer Cut At	RCA Studios, Chicago
Phonographic Copyright (p)	Pickwick Group Limited

Credits

Role	Credit
Design	Yeszin, Folster
Liner Notes	Billie Jean Brown
Producer	Berry Gordy, Jr., William Robinson
Vocals	Diana Ross, Florence Ballard, Mary Wilson
Artwork	Yeszin, Folster
Mastered By	Oli Hemingway
Instruments	The Funk Brothers

Notes

A 1964 Transition Pressing LP
Rear cover Motown logo variation
11 Tracks On Vinyl and Listed on the Label
10 Tracks listed on the back cover
Inner label rim deep cut press
Detroit Red Star above the 'T'
2648 W. Grand Boulevard address label design.
This is the 1964 track listing that was released with the new front cover design of the 'The Faces Close-Up'.
The vinyl plays the 1964 version.
This issue has the correct 1964 front cover that matches up with the label and the vinyl, but the 1962 back cover.
This would have been done either by accident, or to use up leftover rear paste-boards by the pressing plant who either didn't notice the change, or couldn't care.
Thick card Paste-board back sleeve
Detroit Red Star above the 'T', 2648 W. Grand Boulevard address label design.
Originally Released 12/9/63.
A 'Tamla-Motown' Production
Recording first published 1964
Made in Great Britain
Sold in U.K. subject to resale price conditions, see price lists
This album is mainly a mix of The Supremes' first two US albums:
A1, B1, B6 taken from 'Where Did Our Love Go' Motown MT-621, US 1964.
A2 to A4, A6, B2 to B5 taken from 'Meet The Supremes' Motown MT-606, US 1962.
A5 later issued on 'Sing Country Western & Pop' Motown MT-625, US 1965.
UK Related Singles:
'When The Lovelight Starts Shining Through His Eyes / Standing At The Crossroads of Love' Stateside SS 257 UK 1964.
'Where Did Our Love Go / He Means The World To Me' Stateside SS-327, UK 1964.
Printed on center labels to the left of the spindle hole:
• Side designation
• Catalog number MS 606
• © 1965 Motown Record Corp.
Printed on center labels to the right of the spindle hole:
• Publisher and rights society
• Matrix numbers
• Stereo in capital letters
Back cover lists five tracks on side 2, including "The Boy That Got Away" (which does not appear on the record). The center labels have the correct track list, six tracks, including "Let Me Go The Right Way" and "Time Changes Things" (which are not listed on the back cover). For the last song on side 2, "He's Seventeen," M. Johnson is credited as a co-writer on the jacket, and M. Robinson on the center label.
Cover Misprint: 10 tracks (5 per side) listed on rear cover -- 11 tracks listed on labels (5 A-side; 6 B-side). Record has 11 tracks.
Inner label rim deep groove pressing.
Rear cover lists catalog number as MOTOWN 606.
2nd iteration of rear cover slick with 'M inside rectangle' Motown logo at bottom center, rather than the Motown 'Automobile style logo'.
Detroit Red Star above and between the 'O' and 'T' in Motown. Label has 2648 W. Grand Boulevard, Detroit, 8, Michigan address at bottom.
This is the 1964 track listing that was released with the new front cover design of the 'Faces Close-Up', rather than the red cover with the group seated on stools. The vinyl plays the 1964 version.
Label variant: Catalog number and SIDE 1 / SIDE 2 at left of center hole. Title above center hole. Label matrix numbers at right of center hole with 'Jobete BMI' in between them. Underneath song titles on labels is 'Produced by / BERRY GORDY, JR. WM. ROBINSON / ©1964' centered on 3 lines.
11 tracks listed on rear cover -- 11 tracks listed on labels (5 A-side; 6 B-side). Record has 11 tracks.
Rear cover slick with Motown 'Automobile style logo'.
This is the 1964 track listing that was also released with the new front cover design of the 'Faces Close-Up', but also was released with the red cover with the group seated on stools. The vinyl plays the 1964 11 track version.
2018 Wax Love Records . Limited to 500 Copies
Titles in English and Spanish. Unique picture sleeve w/ album title in different typography and tracks titles to the upper left corner.
First mexican pressing issued by RCA.
Center aligned track list on labels with album title above center hole and artist name below.
Back cover lists 5 songs on side B but label lists 6 songs on side B.
Back cover credits Yeszin/Folster for artwork.
S-606 on front cover and spine, 606 on back cover and S 606 on labels.
© 1965 Motown Record Corp.
A 1965 Transition Pressing LP - Stereo Variation
The vinyl plays the 1965 stereo version.
This issue has the correct 1965 front cover that matches up with the label and the vinyl, but the 1962 back cover.
11 tracks, Stool Cover.
MS 606 on Labels.
S-606 on front cover & spine.
MT-606 on front cover.
606 on front cover.
MOTOWN 606 on back cover.
© 1965
Tamla logo on the record label and Motown logo on the cover
Gatefold Deluxe Vesion
"The Definitive Remastered Edition", inc. Bonus Tracks
Track #12:second pressing, with echo
Track #13: first Version
Tracks #15 & #16: The Primettes
Originally Released 12/9/63
© 2013 Pickwick Group Ltd.
Sleeve carries M5-223V1 catalog number and US reissue information on the back, but the record inside carries only the M 223 number, the 1982 copyright in Canada.
© 1963 Motown Record Company, L.P., Los Angeles, California-USA
Manufactured and marketed by Motown Record Company, L.P.
0501
Second press
Label variation (differs from The Supremes - Meet The Supremes)

Barcodes

Matrix / Runout (Side A Label): H 1205-A R4RM-3019
Matrix / Runout (Side B Label): H 1206-B-2 R4RM-3020
Matrix / Runout (Side A run out groove - stamped): R4RM-3019-1 A I
Matrix / Runout (Side B run out groove - stamped): R4RM-3020-1 A I
Matrix / Runout (Side A run out groove - stamped): R4RM-3019-1 D I
Matrix / Runout (Side B run out groove - stamped): R4RM-3020-1 D I
Rights Society: BMI
Matrix / Runout (Side 1): 1205 XCTV 87515-1KD
Matrix / Runout (Side 2): XCTV 87516 2KA
Barcode: 889397101152
Matrix / Runout (Label Side A): SRX.3207
Matrix / Runout (Label Side B): SRX.3208
Matrix / Runout (Stamped Side A): SRX 3207-1N
Matrix / Runout (Stamped Side B): SRX 3208-1N
Rights Society: BIEM
Other (Back Cover): 6412
Other (Tax Code Stamped Around Hole Side A Variant 1): KT
Other (Tax Code Stamped Around Hole Side A Variant 2): MT
Matrix / Runout (Side A label): S4RS-4721
Matrix / Runout (Side B label): S4RS-4722
Matrix / Runout (Side A runout): R S4RS-4721-1-B A 2
Matrix / Runout (Side B runout): R S4RS-4722-1 B A 1
Matrix / Runout (Side A label matrix number): H 1205-A R4RM-3019
Matrix / Runout (Side B label matrix number): H 1206-B-2 R4RM-3020
Matrix / Runout (Machine-stamped, Side A runout): R4RM-3019-1-A
Matrix / Runout (Machine-stamped, Side B runout [ -A has been added/etched by hand]): R4RM-3020-1-A
Matrix / Runout (Etched in Side A&B runout [Ω has a horizontal line over it]): A1 R Ω
Matrix / Runout (Side A label matrix number): H 1205-A XCTV 87515
Matrix / Runout (Side B label matrix number): H 1206-B-2 XCTV 87516
Matrix / Runout (Machine-stamped, Side A runout): R4RM-3019-1-B
Matrix / Runout (Machine-stamped, Side B runout [ -A has been added/etched by hand]): R4RM-3020-1-B
Matrix / Runout (Etched Side A Run Out): MT 606-1
Matrix / Runout (Etched Side B Run Out): MT 606-2
Barcode: 634438619932
Barcode: 8436542014632
Matrix / Runout (Side A label): HS-1205
Matrix / Runout (Side B label): HS-1206
Matrix / Runout (Side A etched, exc. "-S4RS-4721-1-F" and "C" stamped): -S4RS-4721-1-F MS-606- HS-1205 A Cıı
Matrix / Runout (Side B etched, exc. "-S4RS-4722-1-F" stamped): HS-1206 MS-606-B -S4RS-4722-1-F ıı
Other (Jacket mfg. plant - lower right): 4
Matrix / Runout (Side A Label): HS-1205 S4RS-4721
Matrix / Runout (Side B Label): HS-1206 S4RS-4722
Matrix / Runout (Side A run out groove - stamped): S4RS-4721-1 D
Matrix / Runout (Side B run out groove - stamped): S4RS-4722-1 D
Matrix / Runout (Side A Label): H-1205-A
Matrix / Runout (Side B Label): H-1206-B-2
Matrix / Runout (Side A run out groove - stamped): R45M-3019-1
Matrix / Runout (Side B run out groove - stamped): R45M-3020-1
Barcode: 5060348582106
Matrix / Runout (Side A Label): HS-1205
Matrix / Runout (Side A Label): S4RS-4721
Matrix / Runout (Side B Label): HS-1206
Matrix / Runout (Side B Label): S4RS-4722
Matrix / Runout (Side A run out groove - stamped): S4RS-4721-1-G R
Matrix / Runout (Side A run out groove - etched [- on Ω]): HS-1205 AI Ω
Matrix / Runout (Side B run out groove - stamped): S4RS-4722-1-F R
Matrix / Runout (Side B run out groove - etched [- on Ω]): HS-1206 AI Ω
Barcode: 0 50109 5223 2 3
Other (SPARS Code): AAD
Barcode: 0889397219611
Barcode: 8436542013550
Matrix / Runout (Side A Runout (Etched)): M5-223V1-A-15A 5-13 ZRO pm BHS
Matrix / Runout (Side B Runout (Etched)): M5-223V1-B-15A 5-13 ZRO pm BHS
Barcode: 5 050457 131227
Matrix / Runout (Side A run out groove - stamped): R4RM-3019-1
Matrix / Runout (Side B run out groove - stamped): R4RM-3020-1
Barcode: 8 712177 064052
Barcode (Text): 7 37463 52232 8
Matrix / Runout: 3746352232 DISC MFG., INC. (A) W.O. # 25077-1
Matrix / Runout: R4RM-3019
Matrix / Runout: R4RM-3020
Matrix / Runout (Scribed Side A): M5-223V1-A-15A D-12ZRO
Matrix / Runout (Scribed Side B): M5-223V1-B-15A D-12ZRO
Matrix / Runout (Scribed Script Sides A & B): JM

About The Supremes

baixar álbum Download The Supremes - Meet The Supremes album

American soul and R&B group, recording during the 1960s and 1970s. For releases by Diana Ross & The Supremes or variants of that please enter under The Supremes with the appropriate artist name variation. (1961 to 1970) (1961 to 1977) (1961 to 1967) (1961 to 1962) (1967 to 1972, 1974 to 1976) (1970 to 1973) (1972 to 1973) (1974 to 1977) (1976 to 1977) Hugely successful female vocal group formed in 1961, after initially after being called from 1959 to 1960. Their best-known and most stable lineup was Diana Ross, Florence Ballard and Mary Wilson, in which configuration they became Motown's top act of the 1960s, though of that line-up only Wilson remained in the group by the time of the 1970s disco incarnation represented here. The Supremes changed name in early 1967 to Diana Ross & The Supremes. Motown president stated that the name change was done so that Motown could demand more money from live bookings, but rumors began to spread of an approaching Diana Ross solo career. At that time member Florence Ballard had begun drinking and occasionally missing performance and, by June 1967, was replaced by Cindy Birdsong, a member of Patti LaBelle & The Blue Belles. In January 1970, Diana Ross & The Supremes gave their final performance and Ross began her solo career. Jean Terrell replaced Diana as the lead singer and thereby renaming the group back to The Supremes. Inducted into Rock And Roll Hall of Fame in 1988 (Performer).

Name Vars

Diana Ross And The Supremes
Diana Ross & Supremes
Diana Ross & The Supremes
Diana Ross & The Suprèmes
Diana Ross + The Supremes
Diana Ross And The Supremes
Diana Ross And The Suprems
Diana Ross And The Suprimes
Diana Ross E Le Supremes
Diana Ross Le Supremes
Diana Ross With The Supremes
Diana Ross Y Las Supremes
Diana Ross and The Supremes
Diana Ross and the Supremes
Jean Scherrie & Lynda Of The Supremes
Jean Sherrie & Linda Of The Supremes
Jean, Scherrie & Linda Formerly Of The Supremes
Jean, Scherrie & Linda Of The Supremes
Jean, Scherrie & Lynda
Jean, Scherrie & Lynda - Formerly Of The Supremes
Jean, Scherrie & Lynda Of The Supremes
Jean, Scherrie & Lynda of The Supremes
Jean, Scherrie And Lynda Of The Supremes
Jean, Sherrie & Linda Of The Supremes
Jean, Sherry & Linda
Jean, Sherry & Linda Of The Supremes
Jean, Sherry & Lynda Of The Supremes
Ladies Of The Supremes
Las Supremas
Las Supremes
Le Supremes
Suppems
Supremes
Suprems
T. Supremes
The Ladies Of The Supremes
The Suppremes
The Supreme Ladies
The Supremes & Diana Ross
The Supremes ('70s)
The Supremes Feat. Diana Ross
The Suprems
Сюпримз
Сюпримс
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¶û·åü×êüà¹
·å×êüà¹
·åü×êüà
·åü×êüà¹
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À¤¢Êûí¹ h ¶û·åü×êüà¹

Aliases

The Primettes

Members

Scherrie Payne
Diana Ross
Susaye Greene
Lynda Laurence
Mary Wilson
Florence Ballard
Barbara Martin
Cindy Birdsong
Jean Terrell

Summary by Arkand Zeshaprajna

Meet The Supremes is a solid debut album that showcases the group's talent and sets the stage for their future success. The album is a must-listen for fans of Motown and 1960s pop music.

Comments

bdsrp

Some of the songs are beautifully composed and sung, but most of the time its just the usual Motown formula.

bowmobowmo

I read somewhere that the Andantes are singing in the background on this cut.

ahamilton1909171

one of my earliest childhood memories born in 1964 we'd hear this playing at my parents' house parties...

funkokingthailand

Some songs just have it. This whole thing is smooth like buttered love

alb3rtuk160118

Love still

kachyranking

This is a really beautiful song—thanks for uploading!

ralphklein23

I LOVE this !!!!

unacarone

The Supremes early recordings had the latin rythyms heard in Mary Wells songs. They were good even though they were minor hits .

ellasifestou

Just beautiful ?

metalmartianyt

I haven’t stopped playing it since I found it

eulessfirstumc

This is so pretty

3dhilovskyj

This is a magic track. Good work girls!

rosariapolizzotti2016

I dedicate this to R H.

gonherpaola20015

FOR ME...THE SUPREMES MADE THE IMPOSSIBLE. SO POSSIBLE.....THEY ARE THE GREATEST OF ALL TIME....MY HEROES 07/10/2021

infoexperthindi

I wish that I could have
Been raised in them
Wonderful day's, but
My mom was and she
Had me in 1965 thanks
Mom!!!!

mellymat

What a shame this musical fairytale ended with such bitterness and conflict and anger which resonates today 60 years on...I blame Diana 100%...granted the woman strived for success and she succeeded BIG TIME and in some ways she helped Flo and Mary by giving the group so many number 1 singles with her lead voice HOWEVER whether she is a nice person is another matter...I think Diva..I think mood swings, stroppy, and BIG EGO issues...I'll have Mary or Flo over Ms Ross any day!!