Download Kevin Coyne - Pointing The Finger album

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hassan9eid

Review by hassan.s.eid

Kevin Coyne's album, Pointing The Finger, is an exceptional piece of work that showcases his unique blend of rock, blues, and folk music. The album comprises 11 tracks that are a mixture of original songs and covers, all of which showcase Coyne's exceptional songwriting abilities and his soulful voice.

The album opens with the title track, "Pointing The Finger," which is a powerful and emotive song that sets the tone for the rest of the album. Coyne's raw and passionate vocals are perfectly complemented by the driving guitar riffs and pounding drums, creating a sound that is both energetic and intense.

Other standout tracks on the album include "Money Like Water," a bluesy number that features some exceptional guitar work, and "I Only Want To See You Smile," a beautiful ballad that showcases Coyne's softer side. The album also features a cover of Bob Dylan's "Lay Lady Lay," which Coyne makes his own with his unique vocal style and stripped-back arrangement.

Tracks

TrackDurationPreview
Pointing The Finger4:05
Let Love Reside3:25
Pointing the Finger
Children of the Deaf
Sleeping, Waking
Song of the Womb
Old Lady2:56
You Can't Do That3:56
Sleeping-Waking4:15
One Little Moment6:26
Song Of The Womb2:34
There She Goes4:59
Children Of The Deaf1:04
As I Recall4:25
You Can't Do That

Video

Kevin Coyne - Sleeping-Waking (montage)
Kevin Coyne - As I Recall - Pointing The Finger - 1981
Kevin Coyne - Let Love Reside

Images

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Catalog Numbers

  • BRED23
  • 204.118
  • HCLP5004
  • 204 118
  • 201 892
  • LR 019

Labels

  • Cherry Red
  • Ariola
  • Ready Records

Listen online

  • online anhören
  • lyssna på nätet
  • lytte på nettet
  • kuunnella verkossa
  • ouvir online
  • ascolta in linea
  • escuchar en línea
  • écouter en ligne
  • online luisteren

Formats

  • Vinyl
  • LP
  • Album
  • White Label

Companies

RoleCompany
Manufactured ByPlanet Records
Pressed BySIB-Tryck, Tumba
Recorded AtAlvic Studios
Phonographic Copyright (p)Ariola Benelux B.V.
Published ByVirgin Music (Publishers) Ltd.
Distributed ByAriola Group Of Companies
Record CompanyAriola Eurodisc GmbH
Printed ByMohndruck Graphische Betriebe GmbH
Copyright (c)Virgin Music (Publishers) Ltd.

Credits

RoleCredit
BassSteve Lamb
DrumsDave Sheen
EngineerMike Gregovich
GuitarBrian Godding
KeyboardsSteve Bull
SynthesizerSteve Bull
ProducerBrian Godding, Kevin Coyne
VocalsKevin Coyne
Composed ByKevin Coyne
Artwork ByKevin Coyne
Backing VocalsDave Sheen (tracks: B2)
Bass GuitarSteve Lamb
CoverKevin Coyne
Electric GuitarBrian Godding
LayoutBlueprint
Liner NotesKevin Coyne
SynthSteve Bull

Notes

  • White Label
  • Recorded at Alvic, West Kensington, London.
  • Includes inner bag with lyrics.
  • ℗ 1981 Ariola Benelux
  • Ariola-Eurodisc-Benelux N.V. Haarlem
  • Includes inner sleeve with lyrics.
  • Made in Italy by Ariston / Distribuzione disci Ricordi
  • Recorded at Alvic, West Kensington, London
  • Songs A1, A2 and A4 published by Virgin/M.C.P.S.
  • Song A3 published by Virgin/Copyright Control
  • Songs A5 to B5 published by Virgin
  • Ⓟ 1981 Ariola Benelux
  • Embossed small circle with an inner spot on rear cover lower right corner near LC.
  • On plain white inner sleeve:
  • 20/K/81
  • Made in France.
  • Imp. S.N.A.
  • Inner with lyrics.
  • B5 is considerably longer than the UK release.

Barcodes

  • Matrix / Runout (side 1): BRED-23-A-CR (stamped) PS SGI
  • Matrix / Runout (side 2): BRED-23-B-CR (stamped) PS SGI
  • Rights Society: n©b
  • Rights Society: STEMRA
  • Matrix / Runout (label A): S 204.118 A
  • Matrix / Runout (label B): S 204.118 B
  • Matrix / Runout (Variant 1 runout A): 204118 A-1/81S III II
  • Matrix / Runout (Variant 1 runout B): 204118 B-1/81S III II
  • Matrix / Runout (Variant 2 runout A): 204118 A-1/81S III
  • Matrix / Runout (Variant 2 runout B): 204118 B-1/81S III
  • Rights Society: MCPS Ltd.
  • Matrix / Runout (Runout side A, etched): HCLP 5004-1L DD 11-2-82 (Ariston logo)
  • Matrix / Runout (Runout side B, etched): HCLP 5004-2L DD 11-2-82 (Ariston logo)
  • Matrix / Runout (Runout fragment side A+B, stamped): (Ariston logo)
  • Rights Society: S.I.A.E.
  • Matrix / Runout (Runout side A, stamped): 204118 A-1/81S III Made in Germany
  • Matrix / Runout (Runout side B, stamped): 204118 B-1/81S III Made in Germany
  • Matrix / Runout (Runout sides A & B, etched): II
  • Rights Society: GEMA
  • Rights Society: M.C.P.S.
  • Label Code: LC 0116
  • Price Code (Germany): -320
  • Price Code (France): AE 260
  • Pressing Plant ID (On label side B, embossed symbol): bass clef
  • Price Code: AE 260
  • Rights Society: SACEM SDRM SACD SGDL

About Kevin Coyne

Singer, songwriter, guitarist, painter, poet and writer. Born Derby, England 27 January 1944. Died Nuremberg, Germany 2 December 2004. Father of and As a teenager and young adult Coyne studied at the Joseph Wright School of Art from 1957 to 1961 and then studied graphics and painting at Derby School of Art from 1961 to 1965. There he met Nick Cudworth (piano, acoustic guitar). His love of American bluesmen developed, as did his song-craft and his guitar and vocal talents. At the conclusion of his arts training, Coyne began the work that would change him forever  he spent the three years, from 1965 to 1968, working as a social therapist and psychiatric nurse at Whittingham Hospital near Preston in Lancashire and then for "The Soho Project" in London as a drugs counsellor. During this period of working with the mentally ill he performed regularly. Subsequently, his musical aspirations took precedence and he signed a record deal in 1969. Joined by Dave Clague (bass, acoustic guitar, ex-Bonzo Dog Doo-Dah Band), Coyne's band got an early break as a result of a demo heard by John Peel, who in 1969 signed them to his Dandelion Records label. At first billed as Coyne-Clague (an early Dandelion release erroneously named them just "Clague"), the band soon altered its name to Siren. Reviewing the band's 1971 LP Strange Locomotion, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): "Like Fleetwood Mac, this is British blues that neither chokes on false roots nor enmires itself in boogie reductionism. Kevin Coyne's humorously belligerent drawl embodies the band's wit and its punk chauvinism. Mistake: 'Fetch Me My Woman,' which (second mistake) goes on for 7:40." In 1973 he appeared on the BBC's The Old Grey Whistle Test, performing "I Want My Crown" and "House on the Hill" with guitarist Gordon Smith and percussionist Chilli Charles. In late 1975 and 1976 Coyne completed the musical England, England, written with playwright Snoo Wilson, and described as "an evocation of the Kray Twins". The musical, directed by Dusty Hughes, was performed on stage in August 1977 at the Jeannetta Cochrane Theatre, in Holborn, London. It was one of the first theatre pieces to reference the fascist associations of a kind of British nationalism that later became more prevalent with the rise of the National Front and the election of Margaret Thatcher. From 18 August to 24 September 1977 it played at the Bush Theatre in Shepherds Bush. In 1978 Coyne collaborated with fellow Derby Art School graduate Ian Breakwell to produce the film The Institution based on Breakwell's Artist Placement Group work at Rampton Secure Hospital in Nottinghamshire. Early in his career, Coyne turned down a meeting with founder of Elektra Records Jac Holzman (Coyne's band Siren were on Elektra in America) to discuss replacing Jim Morrison in the Doors. "I didn't like the leather trousers!" was Coynes' alleged reason. Coyne was the second artist signed to Virgin Records, after Mike Oldfield, where he continued his uncompromising stance. It was this attitude that endeared him to label-mates such as John Lydon, who played "Eastbourne Ladies" on a Desert Island Discstype show, and the Mekons, who recorded his "Having a Party

Name Vars

  • Coyne
  • K. Coyne
  • K.Coyne
  • Kevin
  • Kevin Loyne

Aliases

  • Wonderworker Coyne
hassan9eid

Summary by hassan.s.eid

Pointing The Finger is a must-listen for fans of rock, blues, and folk music. It is a powerful and emotive album that showcases Coyne's exceptional songwriting abilities and his soulful voice. Whether you are a long-time fan of Coyne's work or are discovering him for the first time, this album is sure to leave a lasting impression.

Comments

Un très bon album ,varié , pour découvrir ce chanteur/musicien totalement à part , qui pourra plaire aux amateur de rock, rock folk, rock psyché, barjot rock , faut en écouter plusieurs (Pointing the finger. marjory razorblade, every body's naked ) ... durs à trouver . on attend les réeditions (de Virgin et autres labels)
David william sheen so suddenly taken from us August 24th 2021 at 2pm in lomans ward the Royal Devon and Exeter hospital after battling terminal cancer at the age of 74 the tears are so painful each and every day a loving husband of Bernie sheen a loving father to Ezi,Ella,Lia a loving grandad to Jimmy,Frankie Gus a loving cousin to our Jim and Amy so truly heartbroken but now resting in his family's arms go to sleep now dad and as God said we will all meet again in heaven for in heaven lays a garden of roses we will meet you there all our love forever and always godbless sweet dreams xxxxxxxz
one of my fav songs since 1982 - thank you for posting it <333
A great track, Brian Godding : Guitar, Dave Sheen : Drums, Steve Lamb : Bass, Steve Bull : keyboards. Recorded on 16 track analog at Alvic studios, London. Engineer : Mike Gregovitch.
Gosh.

What an amazingly intense song and singer. I had not heard of him.

Your montage does not betray the fact that it is your first. It is excellent; the final switch to 9/11 is disturbingly unsettling; profoundly thought-provoking.

Such a loss, his death aged only 60.

Thank you!
thanks

yes, he was a genius
this song a work of genius